Author: Bradley Martinez
For 2020, Reebok have enlisted the guys over at Sneeze Magazine for a fresh take on their Club C Revenge silhouette.
Describing themselves as “a poster-size paper trail of intrigue. Since 2008…”, Sneeze and Reebok bring this sense of intrigue into this latest iteration of the Club C. Simple and straight to the point, Sneeze plays on the simplicity of the Club C with Sneeze Mags graffiti inspired logo taking dominance on the lateral side. With the upper dressed in its usual white soft leather, a contrast is brought with a darkened tongue, laces and lining.
Take a closer look at the Sneeze x Reebok Club C Revenge below! Available here, sizes range from UK6 – UK11, priced at £90.





Following on from the 380’s arrival and YEEZY’s toying with monochromatic and subtle browns and tan colour ways, the ‘Blue Oat’ arrives with these foundations very much intact, however the burst of vibrant blue across its upper breaks up those earthier tones adding another dimension that speaks back to that original 380’s name, the ‘Alien’.
Arriving in both a Non-Reflective and an always sought after Reflective Colourway, you can now sign up to both our online and In-store (Paris) raffles below!
To enter the REFLECTIVE ONLINE raffle (UK applicants only), CLICK HERE!
To enter the NON-REFLECTIVE ONLINE raffle (UK applicants only), CLICK HERE!
To enter the PARIS IN-STORE raffle, CLICK HERE!
To enter, you’re required to sign up via the above form, this WON’T be available in-store to sign up on.
Online raffle winners will be contacted with further information on how to purchase their pairs. The raffle will be sent out to the address used to sign up with, this cannot be changed! The raffle is limited to one entry per person/per household! Multiple entries will be cancelled!
In-store winners will be contacted via email informing them of their win and pick up dates. Due to current government laws surrounding Covid-19, the store is working on an appointment only basis. You will need to contact the store to make an appointment for a time during the stated pick up dates.





Originally founded by Hammadoun Sidibe, the Quai 54 tournament has been hosted in Paris every summer since 2002. A tournament that brings the world of basketball together, Jordan Brand continue to celebrate this annual street ball tournament with another array of apparel and footwear.
The annual basketball tournament frequently held at the base of the Eiffel Tower will commemorate yet further editions of Air Jordan Retro releases. At the forefront of this collection is the Air Jordan I Low and Air Jordan VI which both feature complementing Sail and brown hues. Further details include graphic patterns in orange and brown set on the midfoot and toe in a canvas material, all sat on top of a gum bottom outsole which all go hand in hand with the apparel collection.
Reaching out to the community heavily influenced within the Quai 54 tournament, we created an editorial to celebrate this launch with Endrixx also creating a special Frequent Players mix… Check it out below!
The Air Jordan I Low and Air Jordan VI will be launching in-store in both London and Paris on Saturday 18th July via appointments only! Make sure to DM us on Instagram to book an appointment. Please note, appointments WON’T guarantee you a pair.
The Apparel collection from this years Quai 54 collection will be launching online on Saturday 18th July (Available online from 08:00am BST), priced from £23 – £130.
Footpatrol: Hey both Can you introduce yourself ?
Diahara: Hi everyone! I’m Diahara, I’m 22 years old, I live in the Paris region and I’ve been playing basketball for 10 years now.
Endric: Hi ! This is Dj Endrixx, my first name is Endric, I am a DJ, I am 27 years old and I’ve been mixing for a little over 10 years now!
FP: Today we’re going to talk about Basketball and Quai 54. If I say “basketball” to both of you, what does that remind you of?
Diahara: For me basketball is a way of life, it’s my daily life. I can’t help but go play when I have a little time. It’s a way for me to take a break and think about something else. It also reminds me of tournaments, it’s essential for me, going to play, to compete with others.
Endric: Basically, I’m not a big sportsman, but basketball is one of the only sports that I like to play. It’s a sport for which I have a lot of respect!
FP: So you each have your vision of Basketball! Diahara the vision of the passionate sportswoman and Endric the vision of the one who appreciates the game. So, what do you think of the evolution of Quai 54 and the place it occupies today in Paris?
Diahara: For me, Quai 54 is really the event awaited by all basketball players, young and old. When you go there, you really meet everyone, whether players, artists, basketball enthusiasts. Everyone is waiting for this event. It’s beautiful, there is a lot of diversity in this tournament, it brings people from all horizons …
Endric: Basically, it’s a little tournament that was organized on a Playground in Levallois and today it’s a global event, the whole world wants to participate to this event. This is a tournament that has managed to create a place in the Parisian basketball universe, a lot of people are ready to pay for a ticket to participate in the matches and the various events of the tournament. I am very proud as a Parisian to be close to this event.
FP: We feel that for you, Quai 54 is above all an event that brings together a community around a common culture! What do you think of the collections and pairs that Quai 54 and Jordan Brand release every year? And what do you think of this year’s collection?
Diahara: I admit that I really liked the collections from this year and last year. It represents Africa and that necessarily speaks to me. I find it cool to highlight the beauty of Africa and its diversity through collections.
Endric: I find it pretty cool that brands like Jordan Brand play the game and create ranges of pairs and textiles for Paris and Quai 54, for young people and diversity. Every year, thanks to Quai 54, we have the opportunity to have a collection available that puts Paris in the spotlight. This year, the pair reminds me of the African streets of Paris, Chateau-rouge, Strasbourg St-Denis. It reminds me of the textiles of African moms!
FP: What is your favorite Jordan x Quai 54 collab?
Diahara: I loved last year’s Jordan I. I really like the Jordan I, they were super colorful, I loved it.
Endric: I think it’s the 2011 collab if I don’t say something stupid! Air Jordan V white, black with neon green. I love it because at the time it was my favorite color, I was all about neon green.
FP: Finally, can you tell me what is your best memory at Quai 54?
Diahara: For me it was last year when Sylvain Francisco dropped one of the players on the ground by crossing him! He then gave another player a pass for a crazy Alley oop! Those who have already been to Quai 54 know that it’s always an atmosphere of madness, a party atmosphere! So necessarily when there is an action like this, the public respond to it. The atmosphere is one of the big strengths of Quai 54! It’s always on fire.
Endric: Frankly, it’s specific to my profession as a DJ, but I would say one of the After Parties I did for Quai 54. Big sounds, bling-bling, very American atmosphere. It reminds me of the clubs in Miami and New York. It’s an atmosphere that I really like!
A l’occasion de la sortie de la collection Jordan x Quai 54, nous avons choisi de laisser la parole à deux membres de la communauté Quai 54.
FP: Pouvez-vous vous présenter ?
Diahara : Salut tout le monde ! Alors moi c’est Diahara, j’ai 22 ans, j’habite en région parisienne et je joue au basket depuis 10 ans maintenant.
Endric : Salut moi c’est Dj Endrixx, mon prénom c’est Endric, je suis DJ, j’ai 27 ans et ça fait maintenant un peu plus de 10 ans que je mix !
FP: Aujourd’hui on va parler Basket et Quai 54. Si je vous dis « basketball » à tous les deux, qu’est-ce que ça vous évoque ?
Diahara : Pour moi le basketball c’est un mode de vie, c’est mon quotidien. Je ne peux pas m’empêcher d’aller jouer dès que j’ai un peu de temps. C’est un moyen de décompresser et de penser à autre chose. Ça m’évoque aussi les tournois, c’est l’essentiel pour moi, aller jouer, se mesurer aux autres.
Endric : Moi à la base je ne suis pas un grand sportif, mais le basket c’est un des seuls sports que j’aime bien pratiquer. C’est un sport pour lequel j’ai beaucoup de respect !
FP: Vous avez donc chacun votre vision du Basket ! Diahara la vision de la sportive passionnée et Endric la vision de celui qui apprécie le jeu. Du coup, qu’est-ce que vous pensez de l’évolution du Quai 54 et de la place qu’il occupe aujourd’hui à Paris ?
Qu’est-ce que vous pensez de l’évolution du Quai 54 et de la place qu’il occupe aujourd’hui à Paris ?
Diahara : Pour moi le Quai 54 c’est vraiment l’évènement attendu par tous les basketteurs, jeunes ou moins jeunes. Quand tu vas là-bas, tu retrouves vraiment tout le monde, que ce soit des joueurs, des artistes, des passionnés de basket. Tout le monde attend cet évènement. C’est beau, il y a beaucoup de diversité dans ce tournoi, il ramène des gens de tout horizon…
Endric : À la base c’est un petit tournoi qui avait été organisé sur un Playground à Levallois et aujourd’hui c’est un évènement mondial, le monde entier veut participer à cet évènement. C’est un tournoi qui a su se créer une place dans l’univers basket parisien, énormément de gens sont prêt à payer une place pour participer aux matchs et aux différents évènements du tournoi. Je suis très fier en tant que parisien d’être proche de cet évènement-là.
FP: On sent bien que pour vous, le Quai 54 c’est avant tout un évènement qui rassemble une communauté autour d’une culture commune ! Qu’est-ce que vous pensez des collections et des paires que le Quai 54 et Jordan Brand sortent tous les ans ? Et qu’est-ce que vous pensez de la collection de cette année ?
Diahara : Moi j’avoue que j’ai beaucoup aimé les collections de cette année et de l’année dernière. Elle représente l’Afrique et forcément ça me parle. Je trouve ça cool de mettre la beauté de l’Afrique et sa mixité en avant à travers des collections.
Endric : Moi je trouve ça assez cool que des marques comme Jordan Brand jouent le jeu et créent des gammes de paires et de textiles pour Paris et le Quai 54, pour les jeunes et la diversité. Tous les ans grâce au Quai 54 on a l’occasion d’avoir une collection dispo qui met Paris à l’honneur. Cette année, la paire elle me fait penser aux rues Africaines de Paris, Chateau-rouge, Strasbourg St-Denis. Ça me rappelle les textiles des mamas africaines !
FP: Quelle est votre collab Jordan x Quai 54 préférée ?
Diahara : J’ai adoré la Jordan I de l’année dernière. J’aime beaucoup les Jordan I, elles étaient super colorées, j’ai adoré.
Endric : Je pense que c’est la collab de 2011 si je ne dis pas de bêtise ! L’Air Jordan V blanche, noir avec du vert fluo. Je kiffe parce qu’à l’époque c’était mes coloris préférés, j’étais à fond sur le vert fluo.
FP: Pour finir, pouvez-vous me dire quel est votre meilleur souvenir au Quai 54 ?
Diahara : Moi c’était l’année dernière quand Sylvain Francisco a fait tomber un des joueurs par terre en le crossant ! Il a ensuite fait une passe à un autre joueur pour un Alley oop de folie ! Ceux qui sont déjà allés au Quai 54 savent que c’est toujours une ambiance de folie, une ambiance de fête ! Donc forcement quand il y a une action comme celle-ci, le public répond présent. L’ambiance, c’est un des gros points forts du Quai 54 ! C’est toujours le feu.
Endric : Franchement c’est propre à mon métier de Dj mais je dirais l’une des After Party que j’ai fait pour le Quai 54. Gros sons, bling-bling, ambiance très américaine. Ça me rappelle les clubs à Miami et New York. C’est une ambiance qui me plait beaucoup !











For 2020, New Balance have called upon Jaden Smith to bring his bold and unique vision to the New Balance line up.
Taking design cues from his favourite New Balance models including the X-Racer and 1700, Jaden Smith brings a hands on approach to the Vision Racer by taking these classic design cues from the New Balance design language and combines this with his progressive and forward thinking ideas to create this visually striking concept.
Another one of Smith’s key passions aside from fashion are his environmental concerns. When working on the Vision Racer, this coming together was an opportunity to explore the use of materials and building process, only adding to his hands on approach. With this in mind, each element of the Vision Racer incorporates partially recycled materials and the shoe is vegan-friendly.






What seems like the perfect silhouette for tonal colour ways, Kanye and adidas are back with their latest iteration of the famed 350 V2 silhouette.
Though a fresh new Colourway, its easy to see past models inspiring these latest earthy tones. The uppers re-engineered prime knit has been dressed in a combination of soft off whites with muddy, earth tones whilst the semi translucent midsole seems to follow suit from the ‘Static’ and ‘Cloud White’ with a burst of ice white. A subtle gum outsole finishes off the package complimenting the tones found within the upper.
PLEASE READ THE BELOW CAREFULLY!
To enter the ONLINE raffle (UK applicants only), CLICK HERE!
To enter the LONDON IN-STORE raffle, CLICK HERE!
To enter the PARIS IN-STORE raffle, CLICK HERE!
To enter, you’re required to sign up via the above form, this WON’T be available in-store to sign up on.
Online raffle winners will be contacted with further information on how to purchase their pairs. The raffle is limited to one entry per household! Multiple entries will be cancelled!
In-store winners will be contacted via email informing them of their win and pick up dates. Due to current government laws surrounding Covid-19, the store is working on an appointment only basis. You will need to contact the store to make an appointment for a time during the stated pick up dates.





From Rinse FM to Boiler Room, who better to finish off the week on the Frequent Players channel than Liana! Known for her eclectic array of music we asked Liana to throw down a mix to help us all reminisce of those Mantra parties and weird weekends we long to have back!
Besides this special guest mix we also sat down with Liana to discuss her career, her influences and also what the rest of 2020 has in store for her.
Footpatrol: Liana, it’s a pleasure to have you spend some time with us! How have you been during lockdown?
Liana: Hey guys, thanks so much for inviting me to be part of this series! I’ve been good thank you – it’s wild to think we’re in the fourth month of corona now, quite a strange time all round. I’ve been spending a lot of time cycling around Hackney (on my bright pink bike!) and generally trying to stay sane/active which was a struggle at first, although slowly got into a rhythm. I’ve only baked banana bread once too…
FP: As a quick introduction to the Footpatrol readers who may not know you and your sound, would you be able to share a bit about yourself?
Liana: So I grew up just outside east London, where London meets Essex. Growing up we’d go to funky and garage nights across Essex, and of course I’d come into London for nights at Fabric and FWD>> (this was towards the end of the first dubstep era back in 2009/10). Those early clubbing memories are some of my favourites, and I think those experiences definitely shaped the type of music I play and listen to now, which is a wide cross section of genres.
FP: You have been DJing for 10+ years having residencies in some of London’s most recognised underground radio stations. Where did this passion for music and DJing come from?
Liana: I grew up playing instruments (piano and guitar) and was told I had a good ear for music from a young age – I’ve also always loved going to see live music and spent a lot of time at gigs as a teen. I was lucky to meet Skinny (of Bone Soda) through going out in London back in 2010, and made my first mix for his radio show on Nasty FM (now defunct) in 2011, which eventually led to me getting my own show on there. From there (as I was still studying in Nottingham) I would drive after lectures to play on pirates in Nottingham, all the while playing at different nights across the city throughout my time at uni. I put a lot of time into radio – I did a weekly Sunday night show for a couple years and then eventually a monthly show across other stations. I really believe in radio as a format to create. It also acts as an emotional archive to echo what you were thinking and feeling at that time – looking back at my own shows, that’s certainly reflected.
FP: When it comes to your sound and the music you play, has it always been a cross-genre mixture or was this something you later decided on as you began to establish yourself as a DJ?
Liana: When I first started out I was playing a lot of grime, garage and instrumentals, and that music will always be important to me. Mak10 (of Nasty Crew) is someone I call an early mentor and I learnt a lot from him. But going to so many different nights, both on the bill and as a punter, and listening to so much different music in my own time too, means my sound has naturally evolved over time to encompass all these different interests. This does mean that sometimes I feel as though I don’t fit in anywhere – but the beauty of club music in London is that there’s this whole group of djs who also play so many different sounds that it almost becomes part of their identity, and a scene in itself.
FP: Could you give us some examples of artists and DJs today that you look up to for inspiration?
Liana: There are so many amazing djs and artists I look up to. Off the top of my head I would say Martello, JETSSS, Raj and Felix Hall are arguably my favourite club djs to go and dance to in London – they have all perfected their craft and I absolutely stan. Across the pond I’ve always looked up to Jubilee – I love the music she plays, and more of less everything she puts out on her label Mixpak. I am really interested in the intersection where electronic music meets dancehall /rap.
FP: What would you say to young DJs who are trying to establish themselves within the industry, what advice would you give them?
Liana: Play the music you actually love, and go to a lot of nights. On the first point I think sometimes people are worried about what they think should be playing – rather than the music that genuinely gets them going and they’re into, more often than not the passion for the things you really love will shine through so just focus on that instead. Going out is also super important, I’ve met many of my friends and have made loads of contacts through going out. I would say if you want to play at a certain night, then start by actually going to it, and understanding what it’s all about. Listening and learning from everyone whenever you can is also key.
FP: Now there is still plenty of time left in 2020, is there anything people should be looking forward to from yourself?
Liana: I have a monthly radio show on Know Wave and have a seriously amazing guest lined up for my next show, so keep an eye out for that.
FP: Liana thank you so much for sitting down with us, before you go is there anything you want to share with the readers surrounding your mix?
Liana: This mix is a window into everything I love. It spans uk rap, dancehall, dembow, breaks, house and more. I also tried to approach this mix as a representation of the type of music I’d want to listen to in the club if they were open right now. I really can’t wait for the world to open up and for us all to be dancing together in a club again.

Continuing our exploration into some of the people who work behind the scenes at the brands we know and love, we now face our attention to Mizuno. For this weeks discussion, we welcome Luca Marchet who is the manager for the Sportstyle category at Mizuno EMEA.
Having worked closely with Luca in recent years, we manage to sit down with Luca and learn how he found his path into Mizuno whilst getting a great insight into the lifestyle and performance within Mizuno and how it fits into the history of the brand.
Footpatrol: Luca, thank you so much for being here! Before we look into the brand and the work you guys have been doing, could you tell us a bit about yourself and what your role is?
Luca: Hi Guys!!, My name is Luca Marchet, I’m the Sportstyle Category Manager for Mizuno EMEA. Sporstyle in Mizuno is what we call all the business related to sneakers and lifestyle. It’s a very new area for the company because we approached this market only in 2018. I’m basically in charge of the development of all this business for the EMEA Region, going from Collaboration to General Releases, I’ve worked for Mizuno since 2016 when we started to plan the category , and before I worked for Diadora for 5 years running all the collaboration and being the merchandiser for the normal in line collection.
FP: Was it always the plan to go into footwear or was this a direction that you grew to love over time?
Luca: That’s a really nice story, because actually I always had a passion for sportswear brands but initially I had completely different plans. I was a semi-professional skier and once I realized that I would have never ever be the next Alberto Tomba I decided that I wanted to link my studies in Business economics and my big passion for sports! Thanks to a masters i did in Sport Business Strategy I got the opportunity to start an Internship in Diadora for the sportswear business unit. I can’t hide from you that my idea was to move into the Sports Marketing department, but thanks to my old boss ( Rudy Comazzetto, best former boss I could of ever had) I fell completely in love with this world, not only footwear, but the lifestyle world in general that became not only my job but a huge passion.
FP: Mizuno is one of the oldest brands in the game and has dominated in nearly every sport over the course of its history, on top of that the technology used in shoes such as the ‘Wave series’ has been ahead of the curve for a while.
Has it always been the goal for the brand to be so technologically advanced with their products?
Luca: Perfect timing for this question! Wave technology has been our big pillar since 1997 when they launched this new Midsole technology in with the Wave Rider 1, our most iconic running silhouette.
Exactly in this moment between now and when this interview will probably go live we are facing an historical moment for the Mizuno brand because after 23 years we are launching a completely new technology that is called Mizuno Enerzy.
The Mizuno mission is to contribute to social, economic and environmental sustainability through the power and effect of sports. Innovation and technology are the tools that give us the possibility to pursue our missions. I think that one of the strongest assets of our company is that everyone here has the mindset that a product is never good enough and that it can always be improved.
FP: It has also been great to see Mizuno make a huge entry into the lifestyle market with the Kazuko line. Could you explain what Kazuko means and what the focus behind launching this range of products over the last couple of years has been?
Luca: We are very new in this market so our first priority was to tell the sneaker consumer what Mizuno is and the rich heritage filled stories that our brand has.
The word “Kazoku” means family in japanese, the idea behind this is to share with our family our product and our stories so that they can tell it to their communities.
We selected very carefully all the members of our Family because in our mind they will be our voice to the consumer. This is off course also the nature of the partnership with Footpatrol.
FP: And in terms of the models you have been selecting for the releases, what was the thought process with the decision making in what pairs would return/be retroed?
Luca: Every shoe that we introduce in the Sportstyle range has to fit with our two main characteristics, which are Tradition and Innovation. So the shoes that we are bringing back are iconic pieces of our history or product that include technology coming from our performance world and re-interpreted by our lifestyle designers.
FP: Now collaborations have also been a great part of this Kazuko range including the Footpatrol Sky Medal we did with you guys.
What is the design process like when putting together these collaborations, do you find it varies depending on who you work with or do you have a systematic approach for each one
Luca: If we decide to collaborate with a partner it’s because we share the same values and goals, we feel that each brand can bring an added value to the other. When we drop a collaboration our goal is not to generate hype but to create a project that truly represents different aspects that equally share between Mizuno and the people we are partnering with. If this formula is respected I believe that a project will be successful even if not driven by hype. To be clear I don’t have anything against hype but I think that a project can`t be thought of with that in mind. Hype has to come naturally because the project is good. All the partners that we collaborate with are different, that’s why having a standard process would not make sense for us. Of course there is a timeframe that we have to consider to make sure that the plan will be realistic, but inside this timeframe we leave our partner quite a lot of freedom. What is very important for us in a collaboration project is the ‘Go to market’ strategy and even here we really like to brainstorm with the partner to find very creative plans. Our budget is not comparable with most of our competitors so creativity and flexibility has to fill this gap, but I have to say that I find this way of working much more interesting.
FP: There are some insane models in the brands archives such as Mizuno HST Trainer or even the Wave Rider 5. Are there any models that you have seen that you would love to see make a comeback from the Mizuno’s back catalogue?
Luca: Ah you want me to spoil the fun, don’t you? We have just brought back the Wave Rider 10.
We launched it with 2 very successful collaborations with Wood Wood and Beams. What I can say is that you will see other interesting projects with this silhouette until the end of the year, then we will start 2021 with the launch of a huge project that will include a new shoe based on the Wave Prophecy silhouette.
After this one, we might also bring back another 90es silhouette…
But generally our old catalogs are really full of interesting kicks to bring back in particular from mid 90s to 2005.
FP: For most of us we have been spending our fair share of time indoors recently. We were wondering if you could share your go to list of kicks for the below:
Working out – Mizuno Wave Ultima x Rijksmuseum
Casual Everyday – Wave Rider 10 OG
Impressing someone – Wave Prophecy 9 X Futur
Staying home – Only barefoot at home otherwise my girlfriend kills me, also slippers are not allowed.
FP: Well Luca it’s been a pleasure having you, thank you again for sharing with us yours and the Mizuno story. Do you have any last bits you would like to share with the Footpatrol Family?
Luca: Thanks so much guys for the really nice interview, Footpatrol is a legend of the Sneaker world and for me to share my story and my thoughts with you guys has been really a privilege, an honour.
It has been a really difficult time for everybody in the last month so I really wish everyone to stay healthy and safe. To finish I would like to share with you my mantra because I think it’s really perfect for the moment. KMF – Keep Moving Forward.


Back In 2015, adidas brought a prototype shoe to the United Nations to show what could be achieved in the fight to end plastic waste, 5 years on and we get the Parley x adidas Ultraboost DNA
These men’s running shoes are inspired by that historic moment and celebrate the 5th anniversary of our collaboration with Parley for the Oceans. They have a seamless knit upper that’s made with yarn spun from plastic reclaimed from beaches and coastal communities. Responsive cushioning returns energy to your stride. This product features Parley Ocean Plastic – upcycled plastic waste intercepted on remote islands, beaches, coastal communities, and shorelines, preventing it from polluting our oceans.
The Parley x adidas Ultraboost DNA are Now Available online. Sizes range from UK6 – UK12, priced at £170.




Ever since Nike brought the ISPA line to life back in 2018, they’ve stuck firmly with the ideas of: Improvise. Scavenge. Protect. Adapt.
This has meant the experimentation of some of Nike’s most technological advances and taking them up a notch, all in the effort to solve those everyday problems within the environments we find ourselves.
For the ISPA 2020 collection, these ideas are brought to the forefront like never before.
First up, is the Nike ISPA OverReact Flyknit. This concept came to fruition with the idea of how to make shoes more comfortable. By using Nike’s React technology, the team at ISPA managed to take this foam and double its geometries, maximising the React’s soft cushioning, energy return and durability all in a single lightweight compound.
Taking the process of the Nike React Element 87, the ISPA OverReact utilised pressure and density maps with foot strike data to give the designers a more clear understanding of where the cushioning is most and least needed.
When it comes to the upper, ISPA have taken their life long motto of improvise, scavenge, protect and adapt and made use of what’s around them. Much like the Vapormax 2 ‘Random’, the OverReact has its colour ways decided by the yarns that are available at the time, adding to this unique yet purposeful appearance.
Launching online on Thursday 9th July (Available online from 08:00am), sizes range from UK3.5 – UK14, priced at £160.





The Air Jordan I Retro High has been a go-to silhouette for many years and the rise in demand is still strong as ever. Nike and Jordan Brand are yet to slow down in pumping new and old retros to consumers, and the latest release is a testament to that.
The latest colourway to land is in the form of a ‘Smoke Grey’ iteration. Featuring a two-toned colourblocking, this release is reminiscent to the brands sought after collaboration with Union LA. Similar to the 2018 releases, the midrange portion of the upper is dressed in Smoke grey along with a combination of suede and leather materials. The Swoosh is in a contrasting black along with the laces and outsole. The top region brands black and red along the collar with the wings done in leather, whilst the Wings logo is displayed in black. To cap it all off, the tongue tab is yet another contrasting element with red and black.
To sign up to the ONLINE raffle, (UK APPLICANTS ONLY), CLICK HERE!
To sign up to the IN-STORE raffle (LONDON ONLY), CLICK HERE!
To enter, you’re required to sign up via the above forms, these WON’T be available in-store to sign up on.
Online raffle winners will receive a special code in which they’ll have a limited time to purchase their raffle win via a unique link. One entry per household.
In-store raffle winners will be notified via e-mail and required to contact us via Instagram Direct Messages to set up an appointment within specific dates given to the winners. On collection, you will need to bring proof of ID. Failure to do so, may result in you losing your win.





