Author: Bradley Martinez
The YEEZY SLIDE ‘BONE’ & ‘RESIN’ features injected EVA foam for lightweight durability, while the soft top layer in the footbed offers immediate step in comfort. The outsole utilises strategically mapped grooves for optimal comfort and traction.
PLEASE TAKE TIME TO READ THE BELOW!
The London in-store draw is now CLOSED!
To enter, you’re required to sign up via the above forms, these WON’T be available in-store to sign up on.
In-store winners will be contacted via email informing them of their win. Within this email, winners will be given a set of dates in which they must collect their win from our London store. To collect, you will need to provide the winning email and a valid photographic government ID matching the winners name. NO ONE can collect on the winners behalf. Failure to provide this, or failure to collect within the given dates will mean failure to purchase your win.
Some of you may have seen our feature for this years London Design Festival in conjunction with Jason Markk, Mentsen, EPC Studio and Studio Swade. Well now, is your chance to get your hands on the full collection for your own home!
To find out how you could win, head on over to the Footpatrol London Instagram for more details! Entries will close Monday 3rd October.
Good luck!
T&C’s apply, click here to view.
Amongst our long list of collaboration offerings from footwear to apparel, at Footpatrol we believe in the key essentials.
With the changing of seasons starting to arise, Autumn is fully on its way so for our latest apparel collection, we wanted to offer a range of basics from sweatpants, sweater and t-shirts that all come with a stripped back approach with a core offering at mind. Consisting of a monochrome colour palette, the collection focusses itself around a premium offering of heavy autumnal pieces with the Footpatrol Bar Logo taking centre stage.
Take a closer look at the collection below and make sure to grab yours, available in-store and online here!
Unveiling another spectacle of our homeware creations for our 20th anniversary, we thought that there would be nothing more complimentary than a sustainable bit of upholstery to crown our cleaning bench station. Reaching out to North London’s very own upholstery space – Studio Swade – that turned our creative vision into a craftsmanship reality.
With the conscious efforts of upcycling old vintage homeware for creating a sustainably viable future for our planet and furniture. Studio Swade is an upholstery workshop run by creative mastermind Beth who integrates her passion for tools and woodwork with her love of sewing to create bespoke pieces of furniture.
Putting Beth’s impressive artisanal skills to the test, Footpatrol tasked Studio Swade her to create a bespoke knee cushion that could be used when sneaker cleaning at the table that also fits harmoniously in the sneaker cleaning table compartment/s. The cushion is predominantly composed of Calico fabric construction, with Hessian material used on the base of the cushion for added durability.
Come down to Footpatrol London this London Design Festival to see what we’ve been working on!
Continuing our relentless slew of homeware products that celebrates our 20th anniversary here at Footpatrol we thought we would delve into another spectrum of the art world . This time teaming up with London based ceramics studio E.P.C. to create a range of timeless stoneware pieces that we are so excited to share with you. Not only is it the perfect keepsake item to your ornament collection it is yet another relational piece to our exclusive sneaker cleaning bench.
A bespoke start-up by artist and ceramicist Emily Procotor, E.P.C is an authentic ceramic studio based in Hoxton, London. Utilising coarse stoneware and natural earth tones to make simple and imperfect shapes that accentuates the handmade nature of objects. Her rustic and real approach to her artwork makes her the perfect choice to produce bespoke earthenware to complement the sneaker cleaning table.
The brief provided for E.P.C was to design a ceramic bowl that served as multi-purpose item and could be used to aid the sneaker cleaning process. To accompany the bowl, Footpatrol also asked E.P.C to design and produce a bottle that could hold the cleaning solution – creating timeless, long-lasting ornaments for those who appreciate design in all its forms and take pride in cleaning their sneakers.
Come down to Footpatrol London this London Design Festival to see what we’ve been working on!
Fostering a culture of premium sneaker aftercare products, Jason Markk has had its feet burrowed into sneaker culture since 2007. A bespoke shoe care brand based in the heart of Los Angeles; their aim was to create natural, biodegradable solutions to sneaker cleaning process. The Jason Markk journey began with their first product – a Premium Shoe Cleaner, to them quickly expanding their product offering to items like the Quick Cleaning Wipes and Repel sprays. Jason Markk has built a reputable name for itself through a prestigious list of clients, with their premium products being stocked in 5,000 stores worldwide.
With our 20th anniversary in full force we wanted to up the ante a little… Delivering something a bit more bespoke to you – our community that has supported us over the years. With sneaker culture deeply etched into our identity, we know it is not always easy to get your hands on the trainers you want and love, and for the lucky ones that do manage to get the latest releases, that pair becomes a prized possession. Therefore, we want to offer a unique solution to keep your high heat kicks clean at home. Working with multifaceted design studio MENTSEN, we wanted to bring the cleaning experience to life with a FP exclusive Bench that is versatile, multifunctional, storable and what could be the ideal spot for your sneaker cleaning station.
MENTSEN is a London-based design practice and partnership between designers Yasuyuki and Risa Sano. Established in 2011, MENTSEN’s aim is to unveil a relentless number of possibilities for design that is authentic, synthesises clarity and thoughtfulness at the heart of everything they do. The name ‘MENTSEN’ resides from the Japanese meaning of ‘surfaces and lines’ that pays continuous ode to their fine craftsmanship.
Footpatrol challenged MENTSEN to incorporate a design that preserved the top surface when cleaning your sneakers. MENTSEN’s solution was to create a reversible plane on the top surface that featured an aluminium sheet to clean your sneakers on. This solution not only preserved the ash timber material surface top, but also granted access to the dual cabinet-style storage space within the table – the perfect place to keep your sneaker cleaning products stored safely.
Come down to Footpatrol London this London Design Festival to see what we’ve been working on!
For our World Photography Competition in collaboration with Vault by Vans, we highlight our in-house photographers who take us through their love of photography, their favourite projects and their dream photoshoots… Kicking things off with Neil Raja.
We have extended the deadline of our World Photography Competition in collaboration with Vault by Vans, until Friday 30th September.
Footpatrol: Could you tell us a bit about yourself and your role within Footpatrol?
Neil: Hi, My name is Neil, I’m a Creative Photographer at Footpatrol. I’ve just finished my first month here and really loving that. Prior to this i was a freelance photographer, specialising in portraiture, mostly working on commercial campaigns and within the music industry.
FP: What first drew you to the world of photography?
Neil: Whenever I travelled, I always had a camera with me. My family often told me it was something I should pursue, so after I graduated from my design degree, I left my job and went into photography full time. I got a lucky break with a hip hop magazine and began working with some of my favourite artists. I loved photographing them behind the scenes and backstage and began getting noticed for my journalistic approach to portraiture. At the same time I also used my photography as a way to give a voice to charitable organisations that didn’t have budgets for big campaigns and through this i produced some of my favourite and most notable work.
FP: How do you visually express yourself via photography?
Neil: Photography is a great way to show people things from an angle or viewpoint that they otherwise wouldn’t usually see. This is what I think about whenever behind the camera. As everyone has a camera nowadays, I use more composed shots to tell a story, to bring to light an issue that society doesn’t think of or to portray a subject in a way that the viewer wouldn’t otherwise expect. I think this contrast is what describes my style best too.
FP: What would you class as your dream photoshoot?
Neil: As I have a real deep love of music, i think my dream shoot would have to be with artists and musicians that are no longer with us. I’d have loved to have been on tour with Hendrix, capturing him live and backstage. One artist I’m a huge fan of but never had thine chance to work with would be Nas. Getting to shoot an album cover for him would certainly be a dream come true.
FP: Tell us about your camera set up, do you have anything on your wishlist?
Neil: I’ve used so many different setups in the past and try to keep my kit utilitarian. When i photographed musicians early on in my career it was with a rather basic set up, a Nikon D50 (which i still have). Last year I shot a portrait of Mo Farah using a Pentax 67 and my digital kit is mostly made up of Sony gear. I love shooting on film and my favourite camera I travel with is a Nikon F3.
Footpatrol: What’s been your favourite project you’ve worked on, Footpatrol or not?
Neil: My favourite projects to date have probably been a campaign is shot for National Centre of Domestic Violence. It was to show how abuse rates rise during the world cup, the images for which were shown around the world before each game and has since been adopted by Fifa and other bodies to highlight the issue. Another campaign which means a lot to me was one i shot for the charity ETC education which had built the first and only secondary school for girls in the Masai Mara. I spent months living in the Mara, getting to know the teachers, students and villagers to capture images and footage of the impact the school has had. These types of projects mean more to me than any celebrity i may have worked with.
FP: Quick fire question… digital or film?
Neil: I love shooting on film as it slows down the process and what you get is what you get. It’s my go to when I travel as I never have to charge my camera and it doesn’t take me out of the moment. However I do appreciate the flexibility digital gives for certain projects and love what’s possible in post production.
FP: How do you think this opportunity with Vans and Footpatrol helps the next generation?
Neil: I think this is a great way for people to see the breadth of what can be done in photography. Our team is so diverse with skill set, I feel genuinely honored to be on the roster. As a brand, Vans has a deep heritage in underground culture, from skate photographers to hand held film makers, they’ve always championed creativity of this kind. I hope people feel inspired with our stories and look to tell their own with whatever medium they choose.
For our World Photography Competition in collaboration with Vault by Vans, we highlight our in-house photographers who take us through their love of photography, their favourite projects and their dream photoshoots… Kicking things off with Alice Holland.
We have extended the deadline of our World Photography Competition in collaboration with Vault by Vans, until Friday 30th September.
Footpatrol: Could you tell us a bit about yourself and your role within Footpatrol?
Alice: Hiii! My name is Alice, and I am the current Junior Photographer at Footpatrol:) You may have seen my face from working at the Soho store, I worked there for a couple years, starting in 2020. About 8 months ago I applied for a job in the office and about 6 months ago, I went part time as the Junior Photographer whilst finishing up my 3rd year at university and when I graduated, I started full time.
FP: What first drew you to the world of photography?
Alice: I always describe photography as my first love. I remember the first time I loaded my film camera and I was so confused by the whole thing, I refused to watch a YouTube video telling me how to do it. It was the first time I had enjoyed working something out for myself. And then everything that comes afterwards, shooting and processing, seeing images that were tangible and that I had created, making more of them was all I wanted to do next.
FP: How do you visually express yourself via photography?
Alice: I guess the only way I would say I express myself when I am photographing is that I always try to trust my gut. I shoot what I am drawn to, which seems obvious now but it makes sense to me at the time. I will usually have an idea of what shots I want to come home with – not that it always goes to plan – and I try to be as peaceful as I can when shooting. Photographing has always been an escape for me so when my head is clear I can focus only on my camera. I have been told I am an architectural documentary photographer but I think I just like taking pictures of buildings.
FP: What would you class as your dream photoshoot?
Alice: When I was younger all I wanted to do was to tour with artists and bands and take their pictures in the process. The only two things I spent my £4.45 an hour wage on were shoes and gigs, I loved being at the venues and it is where I first felt truly happy, music will always have a special place so touring with artists, as their photographer, made sense. So I guess I don’t have one ‘dream photoshoot’ but that’s the dream.
FP: Tell us about your camera set up, do you have anything on your wishlist?
Alice: It has changed a lot recently. Until working at Footpatrol I would say that I only shot on film, 35mm to 4×5, I was in love. Specifically though, with my Hasselblad 500cm which shoots medium format, square shots. I also always had a 35mm camera on me wherever I went, shooting pictures of my surroundings, nights out and in, but mainly my friends, the 35mm was always there with me. Now not so much anymore as £20 for one roll isn’t worth it to me. My wishlist? Contax T2 and film prices to be cheaper.
Footpatrol: What’s been your favourite project you’ve worked on, Footpatrol or not?
Alice: Whilst I was working at the store I was lucky enough to shoot with Footpatrol before I got the job here full time. When Tom came to me and asked if I wanted to shoot a campaign with Saucony…obviously I said yes, before even knowing what the project was about or where we were shooting.
During my final year at university I was following an ongoing project about British seaside towns. I was infatuated with photographing there – this project is a good example of following my gut when photographing – there was no real reason for me to be photographing there I was just obsessed with it.
When I was then told that the Saucony campaign was going to be shot at Southend-on-Sea I was super excited, I was able to showcase my skills in an area that I loved and felt comfortable shooting in. Perfect project in my opinion.
FP: Quick fire question… digital or film?
Alice: Ahh hard one at the moment as I’ve ‘quit film’ but my gut response is film… Kodak if you’re listening, lower your prices.
FP: How do you think this opportunity with Vans and Footpatrol helps the next generation?
Alice: Having just come out of university, a lot of the places we get told to look at going when we are finished are the same places everyone else will be looking and it often feels as if you’re going up against every other creative. Wether that be apprenticeships, assisting in a studio or even working for free. All great options and they work. However, there are other options, opportunities open up and if you put yourself in the right place then those doors will open. I guess what I am trying to say is that if the ‘conventional ways’ to get you and your work out there aren’t the best option for you, that’s okay. Put yourself in a place where you feel confident and make sure your voice is heard.
For our World Photography Competition in collaboration with Vault by Vans, we highlight our in-house photographers who take us through their love of photography, their favourite projects and their dream photoshoots… Kicking things off with Tom Silvester.
We have extended the deadline of our World Photography Competition in collaboration with Vault by Vans, until Friday 30th September.
Footpatrol: Could you tell us a bit about yourself and your role within Footpatrol?
Tom: Hi my name is Tom, I’m 29 and I’m the Senior creative photographer at Footpatrol. I’ve been working at FP now for 5 years.
FP: What first drew you to the world of photography?
Tom: Growing up, all my education was done as a graphic design graduate, photography was only a hobby. I bought my first camera after my tutor said it would be more professional to present images to clients instead of phone photography. At the time phones weren’t as good as they are now so it made sense.
To be honest, I would say my photography is influenced more by designers than photographers. I guess subliminally, I’m always looking at colour and layout. I approach photography the same way I would a poster or a graphic as that’s just how I’ve been educated.
The earliest memory was going out and shooting my then sneaker collection. I found myself doing it in all weathers, didn’t need anyone to come with me and not caring about what people thought like ‘look at that idiot taking photos of his shoes’. Perhaps that was when I really found something that I enjoyed!
FP: How do you visually express yourself via photography?
Tom: It depends on the brief and client outputs. When I’m at work, I like to have as much control over what I’m doing but obviously there can be guidelines in place. I will try to use these guidelines to my advantage and produce something that both myself and the client/brand are proud of.
As for my own personal photography, over the years I have found myself enjoying interior photography and I’m trying to tap into sports photography, in particular motorbike racing…
FP: What would you class as your dream photoshoot?
Tom: Dream job is to work for MotoGP following the action of riders.
FP: Tell us about your camera set up, do you have anything on your wishlist?
Tom: Digital I use is a Sony A7RII and for film I have a Pentax k1000, A Fuji Cardia Travel Mini and a Nimslo.
Footpatrol: What’s been your favourite project you’ve worked on, Footpatrol or not`?
Tom: Over the years I’ve shot 1000’s of shoes, in some cases some of my favourite photos have come from times when it had to be shot quickly rather than these big elaborate thought out campaigns.
If i break it down into a top 3, photographing Silverstone MotoGP, designing and photographing a collection for 100 years of Bauhaus and being able to visit Salomon HQ and the stunning town of Annecy.
FP: Fire question… digital or film?
Tom: Easy question, complicated answer… I would say I’m competent in both but I use a lot more digital than film, again client/brief depending on when I will decide what may potentially look best, usually I will shoot both anyway.
FP: How do you think this opportunity with Vans and Footpatrol helps the next generation?
Tom: You can either think about it with the mentality of a glass half full, or a glass half empty.
Compared to when instagram initially started, think about where it is today, other surrounding platforms and what’s now possible as a means to showcase your work. Your work can be found and viewed by the world with just a few swipes and taps, as a creative I think it’s a no brainer to take advantage of what is available as we also live in some of craziest times, where you just never know what will happen tomorrow, or the day after…
Innovative in her seams and a true vanguard for sustainability, Helen Kirkum is one of a kind in her creative field. Utilising recycled and deadstock material to champion a new lane of artisanal design. Creating bespoke, individualistic and thought-provoking pieces that translate their own narrative of playfulness. This creative tastemaker boasts a hefty catalogue of clients working with the likes of adidas, Ellese, Reebok, Highsnobiety and Nike – just to name a few. With her unsurpassed superstar collaboration with Bethany Williams topping the charts with its nomination for the Beezley design of the year award in 2020.
To continue the celebrations of our 20th anniversary and the upcoming exhibition ‘The Blueprint’ – an exhibition that delves into the past, present and future of Footpatrol – we’ve worked with creative director and bespoke genius Helen Kirkum. With some of our ASICS x Footpatrol collaborations being some of our most sought after and most cherished pairs, we tasked Helen by reimagining these in her distinct, signature style. Deconstructed and weaved together, the nostalgia filled moments of our sneaker history, this bespoke piece utilises elements from our GEL-SAGA II, GEL-LYTE III ‘Squads’, GEL-KAYANO, GEL-KAYANO ‘Storm’ and the GEL-SAGA ‘Anime’ iterations.
Take a look below at this latest and craziest production from Helen and make sure to pop down to ‘The Blueprint’ exhibition this weekend to see it in person!
