Author: Bradley Martinez
Over the last few years, we’ve become big fans of London based magazine Gauchoworld. We’ve used our platform as a way of spreading this voice and highlight the creatives, artists and athletes to talk further discuss the culture we’re apart of.
For their latest issue launch, founder Dean George brought the Gauchoworld party to the streets of Soho with a pop up at Footpatrol London. With drinks by ‘Mirchi’ and sounds by @raaandy.zip, @leonparara and @rickinzi, a good evening was had by all!
Take a closer look below and we hope to see you at our next store event soon.
A multidisciplinary artist captured by the soundscape of Western diaspora, paired with his tongue-spoken Youruba that stems back to his Nigerian roots, Demigosh is one of the few artists that continues to pave his own lane within the music landscape. With sounds that go far beyond the slinkiest of beats, exploring hard-hitting topics of intimacy, relationships, and influences of vices.
Following the listening party, we hosted in-store for Demigosh earlier this month, the multidisciplinary artist now takes the FP hot seat, sitting down with us to discuss his aspirations behind his musical talent, background as well as unlocking the meaning behind his latest single ‘Good without’.
Read our exclusive interview with Demigosh below!
FP: Demigosh, great to be sat with you again following on from the listening party we hosted in the store. How are you feeling about the single launch?
Ade: Thanks for having my dude! I’m feeling really good about the launch. I’ve been sitting with the track for a long time so I’m happy to finally be able to share it with the world.
FP: Delving deeper into yourself quickly, for those who didn’t attend the listening party. Could we give a lil synopsis into who Demigosh is?
Ade: Demigosh is a multidisciplinary artist. I was born in Nigeria, raised in Ireland and currently based in London. I tend to write my music like scores to a movie, often drawing from my own lived experiences as a diasporan navigating western culture, intimate relationships, influence of vices etc. whilst trying to retain some connection to my motherland (i sometimes speak my mother tongue yoruba in my music). Before this release i would have described my sound as a cross between Spooky Black (Corbyn), Lagbaja and Vangelis’ Blade Runner Soundtrack, but now i would say my new single and what’s coming sounds like a blend of Sade, Sylvan Esso and Francis and the Light.
FP: So as mentioned, we had you in-store putting on a performance like no other. Teasing lots of new tracks, reminiscing on some of the old ones. How did it feel, could you shake off the cobwebs?
Ade: It felt really really good. As I mentioned before I have been living with the new tracks for ages now so being able to play it out loud for people to hear and then seeing their reaction and feedback in real time is literally priceless. I haven’t performed a solo show in almost a year now so it was a great way to kind of get back into it, and a reminder of why I love doing what I do.
FP: Talk to us about this latest single releasing next week. It seems to be in a new direction in terms of sound compared to your previous work?
Ade: Yes, Good Without is out next week and it’s definitely a completely new direction for me. Every song on the project is. Good Without captures a time in my past where I was literally going to break up before it actually happened. I retained my cinematic approach to writing so the song is like the soundtrack to that moment I realized the relationship was over. Fun fact though I didn’t end it they did but i was very ok with that lol.
FP: What gave you that momentum to shift your sound?
Ade: Um i think it was bound to happen, shifting the sound was always the plan. My previous releases helped me find my voice as a solo artist. I was able to explore sounds that influenced me the most and blend them to form a truly unique identity which allowed me to break through the noise and connect with my people. So this shift felt like a natural progression.
FP: Will this be a new sound we can look forward to hearing more of from Demigosh?
Ade: To be honest, I’m not sure. But I’m very happy here for now.
FP: Let’s talk about 2023 plans. Is there anything else we can look forward to from you this year?
Ade: A whole lot of music this year. I’ve got this project coming and collaborations with some really talented artists.
FP: Demigosh, it’s been a pleasure to sit with you and talk more about your upcoming works. Before we let you go is there anything you would like to say as a way of signing off?
Puma head to the archives and re-issue a shoe that was formally known as the Puma Wimbledon, a tennis shoe from the late ’70s. With Wimbledon being the oldest and most prestigious tennis Grand Slam Tournaments, Puma play on the traditions of Strawberries and Cream, with a colour way that represents this. We had the chance to take these to the court and put them through their paces.
Now available to shop online at Footpatrol here.
Footpatrol has retreated to the wild with our latest collaboration with eyewear brand Oakley. Drawing conceptual influence from the ecosystem and habitats that surround our everyday biosphere, we delved deep into the biodiverse landscapes, in particular, bugs and how they play an impactful part in all cycles of life – no matter how big or small.
Pulling out evolutionary cues from the Minotaur beetles we looked toward capturing the texture, colour, and microscopic intricacies from the species. The frame is readied in an opaque black to clear transparent gradient design, with the black colour tone reminiscent of the Minotaur beetle’s hard shell exterior.
The transparent element of the gradient design is a nod to the sheen that reflects off the beetle body. Footpatrol bar logo branding appears on the bridge, and the Prizm Road Jade-coloured lenses deliver a blissful contrast with complimentary laser detailing etched around the perimeter of the lens; a detail referencing the horns of the Minotaur beetle.
Each set of sunglasses comes complete with a custom printed dual-branded micro bag and Oakley’s universal eyewear leash that snaps on the end of your frames to keep them firmly in place.
Available in-store and online, priced £195.
Please note, T-shirts will only be available in-store as part of a gift with purchase when you purchase this collaboration in-store. These won’t be available for sale.
A multidisciplinary artist captured by the soundscape of Western diaspora, paired with his tongue-spoken Youruba that stems back to his Nigerian roots, Demigosh is one of the few artists that continues to pave his own lane within the music landscape. With sounds that go far beyond the slinkiest of beats, exploring hard-hitting topics of intimacy, relationships, and influences of vices.
To celebrate Demigosh’s musical accomplishments so far, we are hosting an in-store listening party that captures the essence of his new sound.
Debuting his new single ‘Good Without’, his latest masterpiece is a hybrid Spooky Black, Lagbaja, and Vangelis’ Blade Runner Soundtrack, with a narrative that follows the beginnings of a breakup.
Join us in-store on 13th July from 18:00pm till 21:00 for a listening experience like no other! Please just RSVP to RSVP@Footpatrol.com and we’ll be in touch prior to the event to confirm attendance.
For those who don’t know, as his cleverly NTS Radio show is named, ‘You’ll Soon Know’. For our next Frequent Players, we tap into the world and mind of product designer and DJ host, Tim Parker.
Creative both through his practise as well as his DJing, Tim steps up to the decks for Guest Mix 43 bring his varied selections to the sounds of Frequent Players. We catch up with the man himself to touch base on him, his creative thinking and how that leads to his music.
Footpatrol: Hey Tim, we hope you’re well? Thanks for letting us come and talk to you today. Could you start by telling us a bit about yourself and what it is you do?
Tim Parker: I was born in Cambridge, but I have been a resident of London for around 15 years. I have been a DJ for around 17 years – although I have lost track of the exact number of years at this point, haha. In addition to my DJing, I work as a digital product designer during the day.
FP: What is it specifically about product design that intrigues you?
TP: I have always found technology and the internet interesting. Moreover, in my job, I get to exercise my creativity, solve lots of problems and continuously learn new tools and techniques. I get bored quite easily, so the fact it moves at a fast pace works well for me.
FP: Also aware that you study Japanese? I know this isn’t something you can do half-heartedly, what made you want to learn a language? And what’s the hardest part about it for you?
TP: It was around the time when I had been working at Mixcloud for six years, and I wanted a new challenge, but I wasn’t ready to leave just yet. Having hit the age of 30, I realised that I had never truly spoken another language beyond the basics I had learned in secondary school. I had taken a couple of trips to Japan and loved the place, so figured ‘why not try Japanese’?
Although the hardest part has been staying motivated, it’s taught me a lot about self-discipline. At this point, I have invested so much time and effort that I am not willing to give up! Haha.
FP: The NTS Tim Parker ‘You’ll Soon Know’ show has been going over a decade now, quite an achievement and congrats! (it’s always on in the office) how has the show evolved over the 10+ years? and how do you decide what goes into each mix?
TP: I feel the show has evolved a lot in 12 years, but at the same time I feel nothing has changed! When I started the show it was a graveyard shift from midnight to 2am on a Monday, I was new to radio and NTS was just starting. I’ve had the pleasure of learning from many greats around me, refining my skills and becoming more confident in what I do as the station has grown to the point where I’m able to be on at 1pm, not 1am! Musically, however, it was the same ethos then as it is now – play the music I like, how I like to play it.
Oh and that’s dope you guys are listening in, thanks!
FP: Is there a plan to release any future EPs?
TP: I wish I could say yes, but I need to get my act together and make more music! I feel creatively ready, I just need to make it happen…
I have a couple of draft bits with IvyLab we need to jump back on, as well as a couple of collabs with Deft which are close to being finished. Hopefully, those will see the light of day this year.
FP: We’ve also seen you’re pretty nifty with a camera too, is this something you enjoy doing in your spare time? What’s your go to camera and any influences in this field?
TP: I have always enjoyed and appreciated photography, especially while travelling. Although having an iPhone in my pocket was great, purchasing a Ricoh GR3 a few years ago helped me regain the purpose of my photography that I had lost since finishing university. It’s nice to carry an actual camera, and I quite like the GR’s constraints. If it had a ton of accessories, I would be fiending for more gear or struggling to make decisions!
I have so many photography inspirations that it will be hard to name just a few. My buddy Repeat Pattern recently released a dope new book collaboration that you should check out. I love all of his work, and I enjoy shooting with him on our adventures in Japan. Lakehills has been a visual inspiration, especially his recent work on the IvyLab live show, which is breathtaking. Masataka Nakano, Greg Giraud, Johny Pitts, and Ryan Lafferty are a few more names I’ll add to the mix.
FP: You’ve a got a Vancouver show coming up in July? Can we see you residing at any events here in London this year?
TP: As of now, I don’t have anything concrete lined up in the UK. I haven’t done a great job of putting myself out there for shows, and I’ve been slacking with releases. However, I have been talking with a few of the crew, and there’s talk of getting something semi-regular going. Let’s see if that happens; it would be fun.
I’m very fortunate to have been invited back to Basscoast, just outside Vancouver, in July by the amazing Basscoast team. It’s truly one of the best experiences, and it’s located in an area I absolutely fell in love with. I’m eager to be out there now and excited to see everyone!
FP: Thank you very much for taking the time to chat with us Tim, if there’s any shoutouts you wish to make or words of wisdom on people looking to get into product design, learning a language or DJing, the floor is yours!…
TP: Maybe not that much wisdom, but getting started is often the hardest part, once you get the ball rolling just try to keep progressing even if it’s slow progress – it all stacks up after a while.
Shouts to you guys for doing your thing and having me be a part of it. Big up to everyone who listens in to the show or checks out the mix. If you aren’t familiar, tap in – https://nts.live/shows/youll-soon-know. Peace!
Over the last twenty years, Footpatrol has become well known as a hub for sneakers but for ’23 we’re adding a range of apparel brands to our arsenal and the first of those has arrived in the form of Seoul based, thisisneverthat.
Known for their graphic elements, the brand bring a new lease of life to the traditional world of streetwear and since their beginning way back in 2009, have built up some what of a cult like following. Originally an underground favourite, the brand continued to push themselves to which in 2018, they showed for the first time at Fashion Week.
To celebrate, we take a look at some of our favourite pieces from their latest collection which is now available to shop online at Footpatrol here.
Our winner is here! You voted, we delivered. A huge congratulations to our winner, Jason Peate.
At the end of April, we gave you the chance to enter our bespoke ‘Create Your Own’ competition that was hosted over on our Footpatrol Launches app.
Bringing together Footpatrol, Jordan and Nike we took you on a collaborative journey that saw nostalgic Nike and Jordan box designs from previous years to inspire and help you create your own vision and therefore, putting the creativity into the hands of you, the community.
The outcome of the competition? We gave you the chance to add to your sneaker collections by creating a one-of-a-kind shoe box. Voted for by you, the winner received their design created and brought to live with bespoke shoe tags, receipt, box tissue, and a dust bag featuring Footpatrol branding.
Take a closer look at the winning box below and make sure you don’t miss out on our next competition by downloading the Footpatrol Launches app here?
Tranquillity and reclusiveness is the subject of our latest collaboration with craftsmanship experts Clarks Originals. Remastering both old and new tenures, we put our own creative spin on the iconic Wallabee boot as well as dipping our feet into the brand’s latest model – the Desert Cup.
Our first inception with the brand hails back to our Tawyer Pack in 2013, under the Clarks Sportswear range, reworking their sportswear-inspired silhouette with a fruitful blend of colour and beaded detail, which came bedded on a Vibram sole for a comforting feel to the lowers. Now we wanted to touch bases with the Clarks Originals line, teaming inspiration from the Japanese Zen garden and its connotations of mindfulness and channelling your inner calmness.
For our take on the Wallabee boot, we champion this serene feeling through our experimentation with motion and texture, employing a circular rake zen pattern design on the toe vamp, followed by further rounded embroidery detailing the rears and heel counter. A combination of long nap Chewbacca and buttery suede uppers take on a minimalist grey build, matching its moccasin overstitch and lace system. The Clarks Originals lace fobs are swapped out with the signature Footpatrol Gasmask logo and an extra set of laces are treated in a darker shade of grey. Footpatrol and Clarks Originals dual-branding on the footbed are a nod to this dynamic partnership, and crepe soles lie underfoot for a sturdy completion to this unique design.
The Desert Trek Cup; also taking a creative nod from the rake patterns found in a Japanese Zen garden, lands in an ankle cut build while Grey suede informs the uppers with a more buttery feel on the sides, with the hairier Chewbacca suede adding durability to its rounded toe vamp. Rake patterns also provide decorative touches to the mudguard, sidewalls, and heels, and the lacing system is bolstered up with an extra set of laces too. Footpatrol branded ankle flaps and lace fob deliver a slice of nostalgia and branded insoles just sit above its thick welded crepe outsole.
Shop the Clarks Originals x Footpatrol collection in-store and online exclusively at Footpatrol.
This summer, we teamed up with Soho Warriors and traded the streets of London for the picturesque vista of the English Countryside for their ‘Clean Air’ activation.
Taking their team of players out to a hidden football pitch within a forest setting, we hosted a 2 vs 2 championship that saw friendly competition and atmosphere all whilst relaxing and taking some time out from the hecticness the city has to offer.
Take a look below at the event and definitely head over to Soho Warriors to check out more of their work.
