Author: Bradley Martinez
Puma head to the archives and re-issue a shoe that was formally known as the Puma Wimbledon, a tennis shoe from the late ’70s. With Wimbledon being the oldest and most prestigious tennis Grand Slam Tournaments, Puma play on the traditions of Strawberries and Cream, with a colour way that represents this. We had the chance to take these to the court and put them through their paces.
Now available to shop online at Footpatrol here.
Footpatrol has retreated to the wild with our latest collaboration with eyewear brand Oakley. Drawing conceptual influence from the ecosystem and habitats that surround our everyday biosphere, we delved deep into the biodiverse landscapes, in particular, bugs and how they play an impactful part in all cycles of life – no matter how big or small.
Pulling out evolutionary cues from the Minotaur beetles we looked toward capturing the texture, colour, and microscopic intricacies from the species. The frame is readied in an opaque black to clear transparent gradient design, with the black colour tone reminiscent of the Minotaur beetle’s hard shell exterior.
The transparent element of the gradient design is a nod to the sheen that reflects off the beetle body. Footpatrol bar logo branding appears on the bridge, and the Prizm Road Jade-coloured lenses deliver a blissful contrast with complimentary laser detailing etched around the perimeter of the lens; a detail referencing the horns of the Minotaur beetle.
Each set of sunglasses comes complete with a custom printed dual-branded micro bag and Oakley’s universal eyewear leash that snaps on the end of your frames to keep them firmly in place.
Available in-store and online, priced £195.
Please note, T-shirts will only be available in-store as part of a gift with purchase when you purchase this collaboration in-store. These won’t be available for sale.
A multidisciplinary artist captured by the soundscape of Western diaspora, paired with his tongue-spoken Youruba that stems back to his Nigerian roots, Demigosh is one of the few artists that continues to pave his own lane within the music landscape. With sounds that go far beyond the slinkiest of beats, exploring hard-hitting topics of intimacy, relationships, and influences of vices.
To celebrate Demigosh’s musical accomplishments so far, we are hosting an in-store listening party that captures the essence of his new sound.
Debuting his new single ‘Good Without’, his latest masterpiece is a hybrid Spooky Black, Lagbaja, and Vangelis’ Blade Runner Soundtrack, with a narrative that follows the beginnings of a breakup.
Join us in-store on 13th July from 18:00pm till 21:00 for a listening experience like no other! Please just RSVP to RSVP@Footpatrol.com and we’ll be in touch prior to the event to confirm attendance.
For those who don’t know, as his cleverly NTS Radio show is named, ‘You’ll Soon Know’. For our next Frequent Players, we tap into the world and mind of product designer and DJ host, Tim Parker.
Creative both through his practise as well as his DJing, Tim steps up to the decks for Guest Mix 43 bring his varied selections to the sounds of Frequent Players. We catch up with the man himself to touch base on him, his creative thinking and how that leads to his music.
Footpatrol: Hey Tim, we hope you’re well? Thanks for letting us come and talk to you today. Could you start by telling us a bit about yourself and what it is you do?
Tim Parker: I was born in Cambridge, but I have been a resident of London for around 15 years. I have been a DJ for around 17 years – although I have lost track of the exact number of years at this point, haha. In addition to my DJing, I work as a digital product designer during the day.
FP: What is it specifically about product design that intrigues you?
TP: I have always found technology and the internet interesting. Moreover, in my job, I get to exercise my creativity, solve lots of problems and continuously learn new tools and techniques. I get bored quite easily, so the fact it moves at a fast pace works well for me.
FP: Also aware that you study Japanese? I know this isn’t something you can do half-heartedly, what made you want to learn a language? And what’s the hardest part about it for you?
TP: It was around the time when I had been working at Mixcloud for six years, and I wanted a new challenge, but I wasn’t ready to leave just yet. Having hit the age of 30, I realised that I had never truly spoken another language beyond the basics I had learned in secondary school. I had taken a couple of trips to Japan and loved the place, so figured ‘why not try Japanese’?
Although the hardest part has been staying motivated, it’s taught me a lot about self-discipline. At this point, I have invested so much time and effort that I am not willing to give up! Haha.
FP: The NTS Tim Parker ‘You’ll Soon Know’ show has been going over a decade now, quite an achievement and congrats! (it’s always on in the office) how has the show evolved over the 10+ years? and how do you decide what goes into each mix?
TP: I feel the show has evolved a lot in 12 years, but at the same time I feel nothing has changed! When I started the show it was a graveyard shift from midnight to 2am on a Monday, I was new to radio and NTS was just starting. I’ve had the pleasure of learning from many greats around me, refining my skills and becoming more confident in what I do as the station has grown to the point where I’m able to be on at 1pm, not 1am! Musically, however, it was the same ethos then as it is now – play the music I like, how I like to play it.
Oh and that’s dope you guys are listening in, thanks!
FP: Is there a plan to release any future EPs?
TP: I wish I could say yes, but I need to get my act together and make more music! I feel creatively ready, I just need to make it happen…
I have a couple of draft bits with IvyLab we need to jump back on, as well as a couple of collabs with Deft which are close to being finished. Hopefully, those will see the light of day this year.
FP: We’ve also seen you’re pretty nifty with a camera too, is this something you enjoy doing in your spare time? What’s your go to camera and any influences in this field?
TP: I have always enjoyed and appreciated photography, especially while travelling. Although having an iPhone in my pocket was great, purchasing a Ricoh GR3 a few years ago helped me regain the purpose of my photography that I had lost since finishing university. It’s nice to carry an actual camera, and I quite like the GR’s constraints. If it had a ton of accessories, I would be fiending for more gear or struggling to make decisions!
I have so many photography inspirations that it will be hard to name just a few. My buddy Repeat Pattern recently released a dope new book collaboration that you should check out. I love all of his work, and I enjoy shooting with him on our adventures in Japan. Lakehills has been a visual inspiration, especially his recent work on the IvyLab live show, which is breathtaking. Masataka Nakano, Greg Giraud, Johny Pitts, and Ryan Lafferty are a few more names I’ll add to the mix.
FP: You’ve a got a Vancouver show coming up in July? Can we see you residing at any events here in London this year?
TP: As of now, I don’t have anything concrete lined up in the UK. I haven’t done a great job of putting myself out there for shows, and I’ve been slacking with releases. However, I have been talking with a few of the crew, and there’s talk of getting something semi-regular going. Let’s see if that happens; it would be fun.
I’m very fortunate to have been invited back to Basscoast, just outside Vancouver, in July by the amazing Basscoast team. It’s truly one of the best experiences, and it’s located in an area I absolutely fell in love with. I’m eager to be out there now and excited to see everyone!
FP: Thank you very much for taking the time to chat with us Tim, if there’s any shoutouts you wish to make or words of wisdom on people looking to get into product design, learning a language or DJing, the floor is yours!…
TP: Maybe not that much wisdom, but getting started is often the hardest part, once you get the ball rolling just try to keep progressing even if it’s slow progress – it all stacks up after a while.
Shouts to you guys for doing your thing and having me be a part of it. Big up to everyone who listens in to the show or checks out the mix. If you aren’t familiar, tap in – https://nts.live/shows/youll-soon-know. Peace!
Over the last twenty years, Footpatrol has become well known as a hub for sneakers but for ’23 we’re adding a range of apparel brands to our arsenal and the first of those has arrived in the form of Seoul based, thisisneverthat.
Known for their graphic elements, the brand bring a new lease of life to the traditional world of streetwear and since their beginning way back in 2009, have built up some what of a cult like following. Originally an underground favourite, the brand continued to push themselves to which in 2018, they showed for the first time at Fashion Week.
To celebrate, we take a look at some of our favourite pieces from their latest collection which is now available to shop online at Footpatrol here.
Our winner is here! You voted, we delivered. A huge congratulations to our winner, Jason Peate.
At the end of April, we gave you the chance to enter our bespoke ‘Create Your Own’ competition that was hosted over on our Footpatrol Launches app.
Bringing together Footpatrol, Jordan and Nike we took you on a collaborative journey that saw nostalgic Nike and Jordan box designs from previous years to inspire and help you create your own vision and therefore, putting the creativity into the hands of you, the community.
The outcome of the competition? We gave you the chance to add to your sneaker collections by creating a one-of-a-kind shoe box. Voted for by you, the winner received their design created and brought to live with bespoke shoe tags, receipt, box tissue, and a dust bag featuring Footpatrol branding.
Take a closer look at the winning box below and make sure you don’t miss out on our next competition by downloading the Footpatrol Launches app here?
Tranquillity and reclusiveness is the subject of our latest collaboration with craftsmanship experts Clarks Originals. Remastering both old and new tenures, we put our own creative spin on the iconic Wallabee boot as well as dipping our feet into the brand’s latest model – the Desert Cup.
Our first inception with the brand hails back to our Tawyer Pack in 2013, under the Clarks Sportswear range, reworking their sportswear-inspired silhouette with a fruitful blend of colour and beaded detail, which came bedded on a Vibram sole for a comforting feel to the lowers. Now we wanted to touch bases with the Clarks Originals line, teaming inspiration from the Japanese Zen garden and its connotations of mindfulness and channelling your inner calmness.
For our take on the Wallabee boot, we champion this serene feeling through our experimentation with motion and texture, employing a circular rake zen pattern design on the toe vamp, followed by further rounded embroidery detailing the rears and heel counter. A combination of long nap Chewbacca and buttery suede uppers take on a minimalist grey build, matching its moccasin overstitch and lace system. The Clarks Originals lace fobs are swapped out with the signature Footpatrol Gasmask logo and an extra set of laces are treated in a darker shade of grey. Footpatrol and Clarks Originals dual-branding on the footbed are a nod to this dynamic partnership, and crepe soles lie underfoot for a sturdy completion to this unique design.
The Desert Trek Cup; also taking a creative nod from the rake patterns found in a Japanese Zen garden, lands in an ankle cut build while Grey suede informs the uppers with a more buttery feel on the sides, with the hairier Chewbacca suede adding durability to its rounded toe vamp. Rake patterns also provide decorative touches to the mudguard, sidewalls, and heels, and the lacing system is bolstered up with an extra set of laces too. Footpatrol branded ankle flaps and lace fob deliver a slice of nostalgia and branded insoles just sit above its thick welded crepe outsole.
Shop the Clarks Originals x Footpatrol collection in-store and online exclusively at Footpatrol.
This summer, we teamed up with Soho Warriors and traded the streets of London for the picturesque vista of the English Countryside for their ‘Clean Air’ activation.
Taking their team of players out to a hidden football pitch within a forest setting, we hosted a 2 vs 2 championship that saw friendly competition and atmosphere all whilst relaxing and taking some time out from the hecticness the city has to offer.
Take a look below at the event and definitely head over to Soho Warriors to check out more of their work.
For our latest Footpatrol Discussions we headed back to Tokyo, this time to talk shop with creative duo Alex Grabowski and Shammond Shorter. We venture into their world and watch them collide culture with creativity as they document car culture and fashion harmoniously.
Taking to the streets of Tokyo, the creative duo catch up with 80Rituto and HenatyokoSupra behind the wheels of their Toyota Supra’s as we combine automotive and sneaker anniversaries with the Salomon XT-6 10th anniversary and 30 years of the Toyota Supra (A80).
Footpatrol: Hi guys, we hope you’re both well, thank you for taking the time to chat with us, I know you’re both constantly working on crazy projects, so the time is greatly appreciated. Can you both start by telling us who you guys are and what it is you both do?
Alex Grabowski: My name is Alex Grabowski, born and raised in the US currently living in Tokyo, Japan. I am a photographer and graphic designer, currently working as a creative director at Huxham Creative Studio here in Tokyo. A lot of my work involves collaging automotive culture as the main subject and the environments I capture them in, blending the two inorder to fully grasp a viewer’s attention.
Shammond Shorter: I am Shammond Shorter. I was born in Japan and raised in the United States. I am a photographer and freelance creative. My passion lies in capturing moments in time through the lens of my camera. I strive to immortalise those precious instances that I can look back upon and cherish forever. Photography is not just a profession for me; it’s a way to express my creativity and share my unique perspective with the world. Overall, my goal is to create captivating visual narratives that resonate with viewers and leave a lasting impression. Whether it’s through photography or other creative endeavours, I am dedicated to pursuing my artistic vision and sharing it with the world.
FP: Ok so… Tokyo. How did we end up here? Have you grown up here? Or was this a venture into the unknown, I can imagine it’s a very overwhelming city for first timers?
AG: I initially moved here to study abroad for university in 2015, without any real interest in truly Japanese things. It was definitely a large contrast in comparison to the small town living I was used to growing up. And at first I never really planned on staying after university, I knew that my time in Tokyo was and always is going to be limited based on my work and life here. But for the time being, I feel that I can call this place my home and have no plans for moving back.
SS: Tokyo, holds a special place in my heart. While I didn’t grow up here, my connection to Japan runs deep. My mother is Japanese, and I was actually born in Sendai, a city located a few hours north of Tokyo. However, due to my father’s occupation, I had the opportunity to move around the world during my upbringing, experiencing different cultures and places.
Despite having lived in various locations, Tokyo has undoubtedly become my favorite place to call home. There’s an energy and uniqueness to this city that captivates me. When I returned to Japan in 2019 for what was meant to be a three-month visit, little did I know that Tokyo would leave such a profound impact on me. Somehow, those months turned into four years, and I found myself making Tokyo my permanent residence.
FP: So how did you guys get to know each other?
SS: We first met during my visits to Japan for summer breaks while I was still in high school. Our paths crossed, and we instantly connected. However, it wasn’t until a few years later that we encountered each other again through mutual friends. It was as if no time had passed, and we picked up right where we left off.
Alex has played a significant role in my journey into the world of creativity and photography. Initially, when we first met, I had a simple point-and-shoot camera, with no intentions of pursuing photography as a profession. However, Alex’s passion for photography was infectious. He became a tremendous source of inspiration and provided valuable guidance as I delved further into this artistic realm.
What struck me about Alex was his unwavering dedication to his craft. He is one of those rare individuals who would willingly shoot photography and engage in creative projects without any financial motivations, purely driven by his passion for the art. His genuine love for what he does rubbed off on me, igniting a fire within me to explore and develop my own creative pursuits.
AG: I met Shammond through a mutual friend in University here in Tokyo a few years back. He had been back visiting for vacation in Tokyo at that time while studying at university in the states. I think maybe two years passed after that and we crossed paths again in Shibuya, but we were both shooting a lot more photography that time around… Since then we have both been shooting and pursuing what inspires us most on a daily basis, and he’s become one of my closest friends.
And seeing him level up from a point and shoot to how he approaches photography now is inspiring for anyone who works creatively, one of the greatest photographers I know no matter the subject matter.
FP: What is it about Japan that most intrigues you as a creative?
AG: For me, it’s how vast the automotive culture is. The passion of the people within those close knit communities hits close to home for me. I was raised around automotive cultures and racing in the states, and seeing that I can share that passion with someone on the other side of the world has inspired me to create works that don’t necessarily speak to only the automotive communities.
Trying to share what I am most passionate about with an audience outside of that.
SS: What intrigues me the most about Japan as a creative country is the combination of an endless source of inspiration, the presence of interesting creative people, the nostalgic feeling it evokes, and the passion exhibited by its people for their hobbies.
Moreover, Japan is home to a thriving creative community. The country is known for its innovative design, fashion, art, and entertainment industries, attracting talented individuals from various creative fields.
FP: Alex, i guess most people will be familiar with your editing style, is this something that was trial and error? Or do you have a background in graphic design?
AG: I think a lot of it at the beginning was trial and error, now I have found a kind of rhythm when it comes to creating collages or editing anything really. My background in design started in University, I was obsessed with swiss graphic design. I started seeing how collaging was used to isolate a subject matter, thus leading to me the classic swiss advertisements for Porsche and BMW. I saw how art and automotive could be combined to create something that complemented both and that has stuck with me the most throughout the years.
FP: Sham, tell me about brainwave400? How did this start? and In a world full of film, what separates it from the rest?
SS: Brainwave 400 is a film stock that I co-created with one of my close friends, Gaku. It all started with a simple Instagram page we created called Oats&Brains. However, as the number of available film stocks increased, we realised how much money we were spending on film. That’s when we decided to take matters into our own hands and create our own film stock.
Brainwave 400 is a passion project that we embarked on without any limitations. What sets us apart from other companies in the film industry is that we are not driven by monetary gains. Our primary focus is to build a community of talented photographers and create a sense of family around Brainwave.
We want to encourage and inspire people to go out and shoot, regardless of their level of expertise. Our goal is to show that you don’t have to be a professional to create beautiful images and express your creativity through film photography. What separates Brainwave from the rest is our commitment to fostering a supportive community and pushing the boundaries of what can be achieved with film. We are not only providing a high-quality film stock, but we are also building a platform for photographers to connect, collaborate, and share their work. We want Brainwave to be a catalyst for creative exploration and a place where photographers can find inspiration and support.
Looking ahead, we have some exciting plans for the future of Brainwave. We are constantly working on new ideas and collaborations to further enhance the experience for our community. We encourage everyone to stay tuned and be a part of our journey as we continue to grow and evolve.
FP: What have been some of your favourite projects you’ve worked on? And what have been some of the most challenging shoots you’ve both worked on?
AG: One of my favorite projects I have worked on was recently for a brand called PINKFLAMINGOUSA. I had the best possible team on my end, we worked together to make it all come together smoothly and the work speaks for itself. Was the most stress free experience as a photographer knowing that we had everything covered.
Most challenging experience was working on a project where the conditions were difficult both during the shoot and in post. Shooting at night with video is something that takes skill over time and as one of my first projects alone it took some time to adapt to the conditions at hand.
SS: One of my favorite projects that I have worked on so far was with a brand called HatClub. This project holds a special place in my heart because it was one of my first significant collaborations. What made it even more remarkable was that it was entirely executed by a group of five friends, without any professional equipment or stylist involved.
For this project, I shot everything using a simple point-and-shoot camera. Despite the limitations, we were able to create deliverables that turned out great and exceeded our expectations. It was a testament to the power of creativity and the ability to produce remarkable results with limited resources.
One of the most challenging shoots I have worked on was a project where I had to photograph 20 different locations in Tokyo within a span of just three days. What made it particularly difficult was the fact that the client did not have official permission to shoot at these locations.
To make matters more complex, I decided to ride my bacross Tokyo to navigate between the various locations efficiently. Without official permission, I had to be discreet and find creative ways to capture the essence of each location without drawing too much attention.
FP: As we celebrated the anniversaries of both the Toyota Supra and Salomon XT6, I wanted to ask you both, if YOU! Were a car, what would you be? And if you were a sneaker, what would you be?
AG: A car I would be a Porsche 911R, if I were a sneaker I’d be a Nike SB Blazer Low GT.
SS: If I were a car, I would be a BMW e30 M3, if I were a sneaker I would be Salomon XT Quest 2
FP: What projects are you currently working on together? Or even independently?
SS: Currently, Alex and I have several upcoming shoots planned together, partnering with some exciting brands in the near future. We are thrilled about these collaborations and the creative possibilities they hold.
On an individual level, I am deeply involved in my project, Brainwave400, where I am focusing on further developing and promoting my own film stock. It is a passion project that I am committed to nurturing and expanding.
In addition to my photography pursuits, I am also actively engaged in creating a vibrant basketball community here in Tokyo. I am passionate about the sport and want to bring together like-minded individuals to share the love for basketball and foster a supportive creative environment.
Furthermore, I am venturing into the realm of DJing, planning a few DJ sets and music mixes. Music has always been a significant source of inspiration for me, and I believe exploring this creative outlet will further fuel my artistic endeavours.
AG: Like Shammond stated above we have a lot in store creatively coming up soon this year. Independently I’m working on an ongoing photography series that I would like to release as a full body of work in the near future. A lot of automotive works are included though I am adding some other mediums as well that I am excited to present when the time is ready.
FP: thank you for taking the time to chat with us guys, just wanted to give this time to give any words of wisdom on a career in photography or even just on some do/donts of tokyo! I bet you both know all the spots haha.
AG: Thank you for the opportunity, this experience has been great through and through! My greatest words of wisdom I can give any photographer is that the gear is never really what makes the photo. It doesn’t take the most expensive camera to capture meaningful photographs. I think photography is truly about being in the right place at the right time, and finding that place and time is when everything starts to flow. If you’re ever in Tokyo a lot of car meets happen outside of downtown, but I highly suggest trying to get out here to experience some of the car culture for yourself.
SS: Thank you for the opportunity to chat with you!
When it comes to pursuing a career in photography, it’s important to remember that it should stem from a genuine passion for the art form. While it’s natural to have aspirations of making a living from your photography, it’s crucial to prioritise the love and enjoyment you derive from capturing moments and expressing your creativity. Stay true to your artistic vision and use photography as a means of self-expression rather than solely focusing on monetary gain.
Don’t be afraid to explore new techniques, experiment with different styles, and push the boundaries of your comfort zone. Keep practising, keep learning, and keep refining your craft.
When you find yourself in Tokyo, I highly recommend grabbing a film camera and exploring Shimbashi at night. It’s a fantastic location to capture the energy and essence of the city.
It’s essential to be respectful to the locals and make an effort to learn about the language and culture in Tokyo.
Engaging with the community, showing appreciation for their customs, and demonstrating cultural sensitivity will not only enhance your experience but also foster meaningful connections with the people you encounter along your journey. Thank you again for this opportunity, and we hope our words of wisdom provide some guidance and inspiration.
We continue exploring the world of art through our Footpatrol Discussions series. This time, we head over to East London to visit South African born, London based painter Zach Zono. Bringing a vibrant approach to his canvas’, Zach often looks towards memories of his upbringing in Cape Town and the colours of the city with a mix of contrasting colour palettes.
Footpatrol: Hey Zach, It’s great to finally meet! Firstly, how’s things? We see you’re now in a new studio space, feeling like home already?
Zach Zono: Everything is all good this side! Feels good to be in a new space, the light is great and I love the window shapes. It took about a month to settle in and make a mess, so it’s feeling like home now.
FP: For our audience who may not be aware of you and your art, could give us a quick background on you and how you’ve found yourself where you are today…
ZZ: Certainly! My name is Zach Zono, and I am an artist currently based in London. I grew up in Cape Town, South Africa, which has had a significant influence on my artistic journey. My childhood memories of the open spaces and vibrant colours of Cape Town’s landscapes have greatly shaped my artistic style.
FP: When looking at your art, the colours can’t help but make us think back to your upbringing in Cape Town, is this a happy coincidence or was that something intentional from the get go?
ZZ: The vibrant colours, vast open spaces, and the play of light and shadow in the Cape Town landscape have left a lasting impression on me. When I create my works, I often draw inspiration from personal memories and the exaggeration of retelling past memories. Lots of the time I think of the mountains surrounding Cape Town and the sunlight reflecting on the river. While my work may appear abstract at times, there is a subconscious influence from my hometown that shines through. It evokes a sense of nostalgia
FP: Your work has been shown in some great locations! Recently adding Drake’s store on Saville Row to that list. What’s it like holding an exhibition outside of the normal vast spaces galleries have to offer? We can imagine it offers a lot more of a homely feel, especially in Drakes.
ZZ: Holding an exhibition in a non-traditional space has been an amazing experience! It was such a refreshing change of pace, also seeing how people responded to the artwork in store was really interesting for me.
FP: So, Footpatrol… We couldn’t help but check out what’s on your feet today and were delightfully intrigued by the Nike Cortez. What drew your eye to those?
ZZ: The Nike Cortez are a classic for me. I used to have a pair that I painted in but I lost the left shoe and was never able to replace them until now. It’s such an everyday shoe, I was so bummed when I couldn’t find them anywhere. I’m happy to see they’ve come out with new ones.
FP: We’ve noticed on your Instagram you’re a rather well dressed gent whilst working in the studio, do the heavily paint covered overalls not do it for you?
ZZ: Haha! While heavily paint-covered overalls used to be the practical choice for me, I found that the paint makes its way through whatever you’re wearing underneath. So, I’ve embraced the idea of owning the occasional paint mishap and making it a part of my wardrobe.
FP: Back to your work, We’ve noticed there seems to be a tradition whereby the pieces are either large and almost room filling or more intimate smaller pieces. Is this something you intentionally do or are we just looking into things too much? Haha.
ZZ: The juxtaposition between large pieces and more intimate works is very intentional in my artistic practice. Each size offers a different experience and interaction for both myself, as the artist, and for the viewer.
FP: Couple of quick fire questions… Your favourite colour palette to work with?
ZZ: I have been really into hues of red recently
FP: Your favourite medium? We’re guessing paint and canvas but we could be surprised…
ZZ: Yes! Oil paint and canvas are indeed my favourite mediums to work with.
FP: I think that’s it from us… Massive thank you for allowing us to come down and join you at your studio and check out your work. We normally leave this last question open to you, a chance to share some words of wisdom or share anything upcoming, the not so shameful plug shall we say so, take it away!
ZZ: Thanks for coming past, Was great! Keep creating x
